Spoilers are the pits—that’s what a Russian scientist must have felt when he allegedly stabbed a colleague for revealing the endings of books he wanted to read. Shocking? Indeed, but so is the research finding that many people actually enjoy spoilers.

A quick Google search will show you that “La Dolce Vita,” meaning “the sweet life,” is a popular name for Italian restaurants, bakeries, and coffee shops. The term has taken on a life of its own ever since Federico Fellini’s film of the same title was released in 1960.

François Truffaut’s “The 400 Blows” is the frontrunner in the French New Wave Cinema and a staple of film courses. The 12-year-old protagonist, Antoine Doinel (Jean-Pierre Léaud), is one of the most unforgettable characters ever created in film. He has stayed with me for many years.

In “Rashomon,” the 1950 classic film by Akira Kurosawa, viewers can be certain of three things: A samurai is dead, his wife has been sexually assaulted, and a bandit is the main suspect. Everything else about the film is open to discussion. Every viewer is entitled to his or her own conclusion.

More often than not, movies adapted from novels are disappointing. Perhaps it’s impossible to capture the complexity and nuances of a 300-page (or longer) novel in two hours. I chose my top 15 book-to-movie adaptations based on how well the directors interpreted the novels in film. The movie may not be 100 percent faithful to the book, but it successfully preserved the novel’s essence.

We’re all familiar with the curmudgeon character made popular by Archie Bunker on TV. Clint Eastwood played a similar character in “Gran Torino” and “Trouble with the Curve.” In “St. Vincent,” Bill Murray’s cantankerous neighbor is a refreshing take on the trope.

“Out of the Furnace” is not the kind of movie that jumps on you. It’s a cinematic slow burn that grows on you. The film, set in the steel town of Braddock, Pa., is about the Baze brothers—Russell (Christian Bale) and Rodney (Casey Affleck).

Although “Dead Poets Society” is set in a boys’ prep school in Vermont in 1959, moviegoers relate to it because it puts them squarely on a familiar ground. Most people remember a teacher like John Keating (Robin Williams) who changes his students’ lives. In every school, there’s a passionate soul like Neil Perry (Robert Sean Leonard), a painfully shy kid like Todd Anderson (Ethan Hawke), and a rebel like Nuwanda (Gale Hansen).

It takes an actor such as Tom Hardy to pull off a film shot almost entirely inside a car, showing him alone, from beginning to end. Ivan Locke (Hardy) is a construction manager in Birmingham, with a reputation for “running a tight ship,” as a local official describes him. One evening, after work, he doesn’t go home. Instead he drives to London, a decision that changes his life within 85 minutes, which is how long the drive and the movie last.

From the 1942 Alfred Hitchcock film, “Saboteur,” to the Matt Damon-starrer “The Adjustment Bureau” (2011), Lady Liberty has been thrilling, scaring, and entertaining moviegoers over the years.